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The Somerton Man Code Page

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Please click on this image to enlarge.....
After so many years you would think that the 'Code' found and associated with the Somerton Man would have been 'cracked' by now. But no, lots of attempts by hundreds if not thousands of people from around the world have not as yet managed to find a way to unravel these mysterious code letters.

There can be no doubt that some very serious efforts have been made and this post is in no way meant to detract from all the extraordinarily hard work and effort put in by others. In fact without that I doubt whether what follows could have been discovered.

OK, so what's the deal you may well ask. It's simple, I posed a question some 18 months ago, what if the letters of the 'code' where not in fact the 'code'? What if somehow another level has lain hidden from view for close to 65 years?

That's the approach I took and the image below is part of the result of a detailed, up close examination of each letter that is found on the code page. This is just one of those letters:


This is in fact the letter 'C' the last letter in the fourth line of the code. All that happened here is that the letter was selected, viewed in some imaging editing software, GIMP for those interested, and a few very minor adjustments were made, brightness, contrast and curves. I have made an interesting discovery as to how you can take a fairly small letter, about 5 mm in height, and then effectively enlarge it without running the risk of distorting the image and that's something we will share in the coming weeks. Back to this image, what you can see in the highlighted area running from top to bottom is a name, the name of a person who was associated with the investigations into the discovery of the Somerton Man. It should be said up front that her name being found here does not imply that she had anything to do with this man's demise.

If I can draw your attention to that small serif at the base of the 'C', tucked inside it and at a slight angle you should be able to make out the shape of the letter 'N' the last letter in this persons name. Notice how the serif, which I think was in fact drawn by the Police at the time as they traced what they saw under a UV light, follows the line of the upstroke of the N and then down the down stroke.

What you are seeing here is Micro Writing, a little known but a well used technique by those in espionage and other clandestine occupations. Micro Writing has been recorded as being less than 1/10th mm in height and a record was set in the 1930's when a man, James W. Zaharee achieved the unbelievable feat of writing Lincoln's Gettysburg Address on a 3 inch long strand of human hair. In this image the micro letters are sub .3 mm in height

Call back soon because in the next post there will be more information on Micro Writing as well as more examples from the code page and other documents associated with this fascinating case.

Recently I shared some information on Micro Writing with friend and fellow Blogger Andrew May on his Forteana Blog, it's a great blog and Andrew has a nice, easy and informative style.

SOMERTON MAN Dry Cleaning Marks Close Up

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The focus for this blog is not so much the individuals and the theories that exist, it is more about the hard evidence and materials that have survived either in their original form or as a digital image.

Amongst those images is one of a set of 3 apparent dry cleaning marks each having 5 numbers. This post looks at just one of those marks, 1171/7. As you can see below, the stroke mark contains miniature numbers almost within the mark but in some places parts of the numbers seem to overlap the edge of the stroke.

Most of the numbers that comprise the larger laundry marks appear to contain miniature numbers and some letters. More will be posted to complete the series of 3 marks.

              Please click on the images to enlarge....

This is the side by side image so that you can see just where the subject number 1171/7 is located, right at the top of the set of 3.
This is the close up image showing more detail within the stroke, other numbers in this mark also contain smaller numbers.

The questions are who put them there and what do they mean? Are they real numbers or some sort of optical illusion?


More will be published over the next few days and your thoughts and comments are welcome. Please register at the top right of this page.



Somerton Man Dry Cleaning Marks

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Yesterdays post showed some images of the dry cleaning tag found with the Somerton man's possessions. This image is another view of that tag, this time it is of the bottom right corner section or to be precise it is the upright that runs from the bottom right corner.

                                                      Please click on the image to enlarge...

This image is quite a discovery because what it appears to show is an incredibly clever use of micro writing.


The arrows point the direction of the weave of the tags fabric, across and slightly below the top edge as you look at this image you can probably make out what appears to be a neat cursive handwritten word in a dark, almost black, colour. I should point out that this is a negative shot and if you incline your head slightly to the left such that you now view the darker writing outline at an angle of 90 degrees to the arrows, you will find that the cursive word is in fact micro words written cleverly along the weave of the tag's fabric.




The above image has been re-oriented to give a better view of the micro writing:

As far as is known, this is the first time that Micro writing of this nature has been found anywhere.

There is some work to be done to get a better close up and to find out what the words say, as soon as progress is made, there will be another post.

SOMERTON MAN: Jestyn's Poem to Alf B

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Please click on the image to enlarge...



Over the years a lot has been said about Jestyn's poem to Alf Boxall but not a lot has been done in the way of taking a closer look at the poem and how the writing is structured. The poem, as many will know, is Verse 70 from the Rubaiyat of Omar Khayyam.

This will be a fairly short post in that my aim to show you an image taken from the short dash next to the letter T in Jestyn's signature.

First a comment on the way that the T's were crossed, There are 6 T's in the poem being 2 in line 3, 4 in line 4 and one in Jestyn's signature.  In all 5 cases you will see that the bar is off to the right but in some cases it is higher and in others lower, of particular interest in 4 out of 5 cases it is a short bar and in one case, 'Penitence' there is no bar at all, whilst in the last T in 'Tore', the last word of the poem, the bar is almost 3 times as long as elsewhere.

The inconsistent style aroused my curiosity and thus I decided to take a closer look. I opted to view the T in Jestyn's signature and below is what I found when I took a close up:


You should be able to see a set of initials which I make out to be TK or TH. If these are indeed TK then that would open up some interesting possibilities, these would be the initials of T Keane, the name found on the tie and the laundry bag found in the Somerton Man's suitcase.


The back light effect on this image does make it look rather like a Paddle Pop stick.

In the next post we will be looking at the Somerton Man code page and another set of interesting discoveries related to the supposed 'crossed out' line in the code and a missing line uncovered.



Somerton Man Code Page, Crossed lines completed

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There are so many aspects to the Somerton Man Code page and so much that, for all the reasons, has been overlooked. This is image is one example.
                                                                                               Please click on the image to enlarge..
I have isolated the 'crossed lines' that appear at around the centre of the Somerton Man code page. These lines are the result of the SA Police having traced over indentations that they saw on the back of the Rubaiyat. You can see that I have highlighted two extensions to the lines that the Police at the time, given that they did not have the advantage of smart software tools, had missed.

There is something extremely significant about the way that these lines carry on and then meet again to be completed with a final X. Those with a signals or message handling background will immediately recognise what this represents, it is the symbol for ending one part of a message and the beginning of another, in fact I understand it means that the code above the line was the message sent and the code below was the message received. I stand to be corrected on that last point so please sign up and post your thoughts below.

For the record, these lines also contain evidence of miniature writing, the appearance of the additional lines and the X does not mean that micro writing does not exist, it's not mutually exclusive in that respect. It could be that the impression of a two part message was deliberately given for example.

Somerton Man & The Poem Code. Was Jestyn trained in the use of code and micro writing?

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The Poem Code

In an earlier post the issue of the nature of Jestyn's Poem to Alf Boxall was discussed and an image shown that contained an example of micro writing found in that poem.

The question is,  is it really feasible that somehow Jestyn was trained in the use of Code and micro writing, after all one example does not prove that she was, it may be a simple coincidence, somehow the initials shown in the example in an earlier post were created by a trick of the light. If it were not for several other examples of micro writing within the poem then I would be inclined to agree. Come to think of it, if it were not for numerous examples in the Code page and the Laundry tag and the Poem, well then there would be room for some doubt.

If only there were some sort of precedent, if only there was something else that we could use that would back up this almost unbelievable proposition.

Well, wouldn't you know, there is. During WW2, the activities of British and Australian Intelligence Services were closely linked, intertwined is probably a better word. There was this amazingly talented man called Leo Marks, he was a very senior person at Bletchley Park, the UK's code cracking and making establishment.

The closeness of British and Australian Intelligence and Signals services would mean that it would be highly likely that the techniques used and the types of personnel recruited would be very similar in both organisations.

Here's a must read link to a site that quotes some of Leo's work and more to the point it makes specific mention of the First Aid Nursing Yeomanry being employed  to encode secret messages and all within the context of something called the Poem Code. Whilst this is not proof positive that Jestyn had learnt these techniques here in Australia, it can no longer be regarded as an outside chance that she was taught, it is now bordering on being a distinct possibility/probability. Proof will yet be forthcoming.

http://www.worldwar2history.info/war/espionage/code.html

Somerton Man. A Closer View of The Dry Cleaning Numbers

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Just time to write a few words today, it's Australia Day long weekend here and it's a busy time. I have been doing some additional work on the Dry Cleaning numbers that were found on the pocket liner of Somerton Man's trousers.

I've marked up one image, it shows the top right corner between the first number '1171/7' and the second one '4393/3'. The area we are looking at lies in between the two, please look for the darker writings within the highlighted areas.
                                                                                              Click on this image to enlarge..

1. Example of cursive writing , 9 distinct rows each running away to the right as part of complete sentences.

2. More cursive writing within and surrounding this highlighted area, some reaches across into the area marked 4.

3. Inside this highlighted area there is a number that you will be able to make out with a magnifying glass if you download and print out the image. The number set is MX25X and immediately above that set you will see *Zcant*

4. Within this highlighted area there is additional cursive writing that has emanated from the box marked 2.

This is the clearest set of micro writing thus far published here. To my knowledge this is the first ever published example that shows how espionage agents communicated secretly in the field.

Please register and sign up at the top right corner of this page, your comments would be very welcome. And please call back, there's lots more to come.

Somerton Man, The 'Crossed Out Line' Myth

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The 'Crossed Out' line is a myth?

Yes, I believe it is.

Let's go back to the time that the SA Police first examined the code page. What they did was, using a UV light or similar, they faithfully traced what it was they saw on the back page of the copy of the Rubaiyat of Omar Khayyam. It was very feint and difficult to see and thus in order to view it more clearly they first 'dusted' the page with graphite powder, very fie and the type used for fingerprinting. This powder found it's way into the indentations that were left by whoever it was that formed their miniature writing into the shape of the larger, now more familiar, letters of the code.

Their tracing work naturally included every line they saw, this next part is very important, they had no idea when each individual line was created in other words which came first the line or the letters. People have assumed that because it is how they have been conditioned to think, if you see a word or letters with a line through it, it must be a mistake because they crossed it out. Wrong.

The lines not only included the shapes of the code letters, they also included the two crossed lines subject of an earlier post, the flourishes as seen beneath the last letter B in the last line of the code, the flourish at the bottom of the page and finally the line that for whatever reason people have assumed was a mistake and had been crossed out. Put simply, there was absolutely nothing to suggest it had been crossed out, it was simply a line on the page that the SA Police traced. I have highlighted 4 aspects of Line 2 below, please click on the image to enlarge:

1. Area one shows a clean break in the line just within the letter 'L'

2. Area two shows a second break in the line just after the first 'I'

3. Area 3 shows a break in the line central to the letter 'A'

4. Area 4. This is interesting because if you incline your viewing aspect slightly to the left and read the first leg of the M from bottom to top you will see the outline of the word 'COMNIV', I did some research and it is in fact a Russian military term. I will publish more on that in due course.

Somerton Man, Anyone for TEA? More Secret Writing..

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To find instances of micro writing in a document or perhaps on a piece of material, is quite a challenge. Having said that  though, sometimes examples literally jump right into view.

This is one of those 'Jump Out' occasions, it is from the dry cleaning mark and this was found between the number 3 and number 0 on the last number set on the marks within the number 305-3/1.

Please click on the image for a larger image.

You can clearly see what appears to be the word TEA and above that in a semi circle you can also make out X6TK, beneath it are the numbers 835 but a little less clear.

To be fair, I have a super close up of this example and what appears to be TEA is in fact 7EA.

This dry cleaning mark has quite a number of examples of micro writing in similar formats to this. I will be adding more of the course of the next few weeks.

Another interesting post about the tools that the Somerton Man had with him and how he carried out his tasks in relation to communicating with his superiors and others will be published this coming Sunday, 3rd February. You'll be amazed.

Somerton man, Secret Writing Methods

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The CIA recently released a number of documents including some on the topic of 'Secret Writing', we have a special page devoted to these and similar documents and this post is to let you know that a document has been added today. It is an overview document used by the CIA and it describes a range of secret writing methods including microscopic writing.

Follow this link for access and to download the document.

Somerton Man, The Innocuous Letter Card or was it more than that?

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In the suitcase found and associated with the Somerton Man, amongst numerous other items there were some 'Lettercards' these ones of course were the Australian version and the one above is similar to the ones found.

The question is not was this a genuine lettercard, but how could it have been used?

In one of the pages, Secret Writing, there is a document that you can download, it was released in 2011 by the CIA. It talks of microscopic writing and how, using orange colored ink, an agent could write a secret message across the stamp and it would not be visible to the naked eye unless you used a ruby colored lens. This had the effect of making the stamp invisible and the writing clear.

This same document also tells us about the use of any lines found on a document, within them it states, you could 'hide' Morse code' or in the Somerton Man case it could be micro writing hidden within lines or flourishes or even larger letters. There were and are people around who could with the naked eye, write letters as small as .1 mm in height. Look up James W. Zaharee for more on this.

Here's a question for you, on the example lettercard above and if you were a spy, where could you write and hide secret messages?

I hope you register for our blog, we have had an outstanding response in this first week with close to 700 visitors from a standing start. Call back soon!

Somerton Man: The Code Page & Delusions

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The exclusive images in this post show you examples of cursive and microscopic writing as used by espionage agents involved in the Somerton Man case and these microscopic writings haven't been seen for more than 64 years.


Maybe the title is a bit harsh for which I will duly apologise but will not alter.

The issue with the Somerton Man 'Mysterious' Code page is that it was really not such a big 'Mystery'. Staff  and Students at Adelaide University have poured hundreds of hours into trying to solve the Code. I have to tell you and them that whilst I have nothing but respect for all of the huge effort that they have put in, it has been off target.

Why? The main reason why is in a clue given some years ago by ex Detective Sergeant Gerry Feltus, the author of the 'Unknown Man' book, (which is 'must' reading for those interested in this case), when he said that Detective Len Brown, a man who was heavily involved in the initial investigation, had told him that the Code page was actually written in the top left hand corner of the back of the book. So, what's so special about that?

Not 'alf..!

Well the 'recommended' code page put out by the University is sized for the top half of the back of the book, hmm, what that means is that the code page that everyone has been recommended to use is actually twice the size that it should be and that in turn means that all of the letters and content of that code has been 'stretched' such that valuable information has been distorted and therefore lost to view.

When you rectify this basic problem by halving the size down from 1802 pixels by 1440 pixels to just 901 pixels by 720 pixels, you not only get a more accurate picture you also, by default, increase the resolution so you pick up much more detail by effectively doubling the DPI resolution. The image above, should you choose to download it, as you may already see has far more detail to investigate and explore.

     Click on this image to enlarge..
The image on the left shows a rectified view and using a simple process that I developed to produce it. What's special about it is  that here you can see examples of extremely fine, micro writing that runs horizontally left to right across the page at the top and above the letters of the code passing through both the first letter M in line 1 and the first letter M in line 3. In the image it looks just like straight lines but it is so much more, it is finely crafted, microscopic writing.

You should also be able to see cursive writing to the left of the first and 3rd letter M.

The big deal about these images are the examples of microscopic writing, this is an extremely rare occurrence. To my knowledge this is the first example of espionage related microscopic writing ever to have been published on the web.




Those tiny lines of micro writing could contain a mass of valuable information about Australia, the A bomb and a whole lot more.

There are more examples of this micro writing on the code page and on other images associated with this case; over the next week or so I will be publishing more exclusive images that will prove once and for all that the Somerton Man was indeed a spy and he died because of it.

To those good people that have been involved in trying to 'crack the code' I am sorry that you have been using the wrong sized code, but for that, I am sure that you would have made huge headway and probably would have had the case solved by now. The great news is that error has now been corrected and I hope you will download the main code image and get to it!

Please register at the top right of this page, we'd love to have you and your skills on board..




Somerton man, What Does The Somerton Man Code Have In Common With The Pigeon Code?

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Late last year David Martin from Bletchingly in the UK hit the headlines with news of the discovery of teh remains of a carrier pigeon found in his chimney. The pigeon was complete with a capsule that contained a coded message apparently from an Allied unit in France and possibly heading for Bletchley Park.

I have had a few discussions with David and a nice person he is. He kindly provided me with a high resolution scan of the code page he had found, a copy of which appears here.

This code has a number of aspects to it that are reminiscent of the Somerton Man code.

First of all it uses a code that in this case is broken down into 5 letter sets. The SM code when you incorporate the so called 'crossed out' line 2, actually has 50 letters which of course can be seen as 10 sets of 5.

The Pigeon code has one Code letter set that repeats itself, the AOAKN seen as the first set is repeated in column 3 line 7.

SM's code has a similar issue with line 2 and line 4 with the MLIAO sequence.

But perhaps the most striking comparison is the use of micro letters in fact in this case letters and numbers within the larger code letters.

This image shows a segment from the Pigeon code with its marked up version. If you enlarge this image by clicking on it you should be able to see number sets within the highlighted areas. these numbers are not crystal clear and you may need to use a magnifying glass or at least decent glasses, I use 3X for the purpose. 


All well and good but what can be learnt from this example?

There are two things that spring to mind, firstly the use of micro writing within larger letters has, to this time at least, has only been found in one other place, the Somerton Man code. Secondly, the repeated code letter set is also a feature as pointed out in this post. Putting both together these facts may be telling us that similarities in format happened because both codes were generated by people who were probably trained in the same way. In other words the same organisation produced the training materials and courses that led to both examples being created. That organisation looks like it was British who shared many of their ideas with Australian Defence forces. Maybe even down to their recruitment techniques and selection of suitable personnel.

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Somerton Man, The Code Page and the M that Wasn't

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Numbers and letters beneath the 'Crossed Lines' as highlighted.

Across the top of the first letter T there are numbers and within the top stroke of that T and the second T you should be able to make out numbers partially hidden.

At the base there are two short strings of numbers.






The Somerton Man Code page as most who visit this blog would know, has long been the focus of much attention. This 'Code Page' was in fact found by the South Australian Police, it had been written very faintly on to the back of a copy of the Rubaiyat of Omar Khayyam that was associated with the Somerton Man. Interestingly this book was a Fitzgerald 1st Edition published by Whitcomb and Tombs of NZ, it was a plain white copy. No other copies of this particular book have ever been found.


As revealed in earlier posts, the so called 'letters' of the code aren't actually normal letters, they are in fact sets of micro letters that have apparently been formed into the approximate shape of normal English letters.

In one post an image of the letter C, the last letter of the 4th line was shown and when examined it was shown to contain the word JESTYN and that name formed the bottom half of the letter C.

Not all the letters have quite the same dramatic words hidden within them. In the most part they contain strings of letters and/or numbers written microscopically.

One of the letters that has been much discussed and reviewed is the first letter in the 'Code', the strange looking letter M. People have actually gone to the lengths of trying to analyse the handwriting style of this and other letters. The truth is there is no handwriting style, these letters, all of them, are formed from much smaller micro letters and numbers and that includes the first letter 'M'.

What I've done here is to bring together 2 of the same image and then highlight specific areas of interest. You'll probably need to click on this image t get a larger shot.

The two oblong shapes on the highlighted image show two distinct sets of micro numbers each one having an x within a circle as the suffix.

As you can see these letters and numbers are extremely small, in fact less than 1 mm in height.

As an added feature, just below the 'M' and running across left to right you will see more strings of numbers but this time they start in black on the left side of the letter and then turn to white on the right side

In this next image, once again I have brought 2 of the same image but this time I have rotated them 90 degrees clockwise.

Within the highlighted area on the 2nd upright of the "m" you will see a short string of numbers, they are decidedly blacker than their surrounds.

I have highlighted the other two letters, the 'L' and 'I' as you should be able to make out the shapes of micro numbers within each of these.

 The conclusion is that the 'M' really isn't an 'M', it is a series of micro letters/numbers that follow a similar shape as the letter 'M'. When you get really close to it with a magnifying glass, you will see that the shape is comprised of a number of different smaller shaped 'containers' that when joined actually give the impression of a letter.

Here are two more views of the Letter M to fill out just how much information there is to be found on just this one letter:


What's special about this image is that it shows how, on the second upright stroke of the 'M' the micro writing was put in place and then the Police traced across them so that you can see them literally overhanging the trace marks.

There are also numbers visible within the circled area.

In the 'Crossed Out' line you should just be able to make out the outlines of micro letters and numbers beneath the trace lines.








In the first 'M' you can see a clear set of numbers as highlighted.


In the second 'M' you can once again see how the micro letters actually overhang the trace marks. Another point of interest that isn't highlighted is the similarity between the firs highlighted 'M' and the second one, they both have what looks like a figure 6 that joins the two upright sections.



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Somerton Man, The Code Page, Putting The Findings Into Context

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In the end, whilst finding instances of micro writing on the Code page is a breakthrough, those findings need to be put into some form of context. When do we start to make some sort of sense of what we find?

The good news is that we can make a start but we need to be careful that we first have derived all or most of the information we can. Having said that, here is an example of context that can be drawn from a micro writing instance on the code page:

This image is of the last letter 'P' in the third line of the Somerton Man  or TAMAM SHUD code. The letter sequence is PANETP.

As you can see, a different camera angle had to be used and lighting is a key issue.

We are looking at a prefixed number set, X533 (Could also read X535 or X555 see below). I used this number to carry out some quick research viewing first on Google and then on the TROVE website.

In Google I entered X533 1940 to relate it to a date range. The results showed amongst other things that X533 was a torpedo in use by submarines and surface craft during WW2. The 533 apparently referred to the dimension of the warhead being 533 mm. Perhaps this will have some value in the future and the result has been recorded.

Whilst adding value, it struck me that just maybe the use of the letter 'X' before a number set was, I understand, common practice in the Military at that time to signify that a number followed.

The Trove search yielded a number of results including one of a 'Lonely Hearts' nature whereby in 1947 the box number for an ad, X533, was owned by a widower aged 38 looking for a 'country girl for outings'. As said there are other examples, this one has been recorded as will others.

Why not join us and register at the top of the page? There are more interesting revelations on the Somerton Man case and others yet to come plus we will be adding more downloads for your information.



Somerton Man, Does a US Hymnal Hold the Key to the Somerton Man and Other Codes?

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As pointed out in the image found on the code page within the letter P, the numbers could also read X535 and X555,  in the case of the former, X535,  it refers to a US 1940's hymnal, in fact it's a Quatrain, 'Rise Up O Men Of God' Given the mind of Leo Marks, (Bletchley Park Leading Cryptographer) and his use of a Poem code, this has also been recorded.

And here's the X555 result from the US Hymnal, it's called, 'My Soul Be On They Guard', this is also a quatrain, easier to memorise, here it is in full:

My soul, be on thy guard;
ten thousand foes arise;
the hosts of sin are pressing hard
to draw thee from the skies.

O watch, and fight, and pray;
the battle ne'er give o'er;
renew it boldly every day,
and help divine implore.

Never think the victory won,
nor lay thine armor down;
the work of faith will not be done,
till thou obtain the crown.

Fight on, my soul, till death
shall bring thee to thy God;
he'll take thee, at thy parting breath,
to his divine abode.

Does this Hymn contain keywords or phrases for a code as per Leo Marks's concepts? On reading this particular quatrain it certainly pertains to the times. Which spy or spies would need a 'one time pad'?

Could this US Hymnal contain the keys to the Somerton Man micro writing and other codes?

There's more to information and downloads on their way in the coming weeks, why not register at the top right of this page...

Somerton Man Upcoming Post

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Just a quick reminder that there is a special post due tomorrow morning, Wednesday 6th February, Australian Time. There will be a number of extremely clear images of writings and numbers from the Somerton Man Code page with some new and only just uncovered material.



Somerton Man, The 'Code' is Not a 'Code', More Micro Writing Images...

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As per yesterdays post, there are a number of images of the Somerton Man code page that contain good examples of micro writing. Some of this writing is extremely small as in less than .7 mm, and some a little larger.

The outcome of the work done is quite surprising in that the 'Code' is not a 'Code', that's not to say there isn't a code on the page but the larger letters that supposedly formed the 'code' page were most likely not letters at all, they are and always were simply trace marks made by the Police and because they didn't have the tools that we now have, they did not see all of the markings that exist in the page and thus only partially completed the tracing task. The real code if it exists is to be found amongst the mass of micro letters and numbers on the page.

To the post..

A number of different styles of disguising the micro writing have been identified and for reference here is a list:

1. Horizontal number sets found in various locations
2. Numbers and letters within the larger letters of the 'code', sometimes these actually 'overhang' the markings made by the SA Police.
3. Circular pattern, numbers and letters appear within a circular pattern in a number of locations on the page, it is thought possible that each pattern contains a completed message.
4. Wavy line, these lines are almost like small banners within which a number or letter set can be found.
5. White or negative shade letters and numbers. There are many instances where white or negative numbers and letters show up, they are mostly in a moderately straight and quite lengthy line.

In the images below I have attempted to include one of each style of writing:

 Within the letter 'D' you should be able to make out a number 765 with smaller numbers beneath. You may also see how the numbers actually cross through the trace lines made by the Police.

Between the 'B' and 'D', the letters AWRX are shown with smaller numbers and letters stretching down to the base of the 'D' This example is quite interesting as it highlights a point made in an earlier post, you will be able to see a line of writing that stretches between the 'A' and the 'B'. If you follow that line carefully you will see how it actually goes on to from an oval shape. That probably means that the 'B' and the 'A' are not letters just incomplete trace lines.

A little above and within the space between the letters 'N' and 'E', you will see more  micro writing. Similarly there is more to be found between and slightly beneath the letters 'T' and 'P'.

 This is the first set of 'letters' in the code, to the left of the 'letter' 'M', you should be able to see 4 sets of numbers in a sort of column with what looks like the word GAP at the bottom.

To the right of the 'M' you can see a circular pattern with letters and numbers within it.

Not highlighted but between the two upright strokes of the 'M' close to the top. there is a small 'banner' containing numbers.

Across to the right now and to the left of the 'I' through to the 'A' and beyond, you should be able make out some negative or white letters and numbers.

Beneath these, across  the 'I' the 'M' and the 'P' there are micro numbers and letters to be found.


There are several examples of micro writing in this section even outside of the highlighted areas. Between the 'B' and the 'A' there is writing and numbers, between the 'B' and 'D' there are what appears to be 3 banners connected and alongside that within the D there are micro numbers shaped to fit within the D. If you look closely you will note that again these numbers overlap the trace marks made by the Police.

Beneath the second 'B', there is a number set highlighted.

Micro letters and numbers appear between the 'I' the 'A' and the 'O' and above and within the two crossed lines, there are examples of micro letters and numbers.

There are many more images that I will load over the next week or two, the bottom line here is that the Somerton Man 'Code' is looking more and more like it was never really a 'code' per se. It was always a page that contained a mass of micro writing which was only partially traced over by the Police at the time. The micro letters and numbers must have had some significance and it may well be that when they have all been recovered in full or in part, a deciphering task could be undertaken. We are certainly not at that point yet.

So, this is a breakthrough and one I am sure will not be that popular with some. There are many people who have devoted enormous amounts of time and effort into cracking this code and working through scenarios all of which now, with all due respect, need to be re thought.

This is not meant to be a criticism of the work of the SA Police, far from it, they did not have the luxury of the tools and techniques that we now posses. The fact that they found anything at all is a real tribute to their skill and perseverance.

Spy Museum Page

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Just to inform those interested, we have a new page, Spy Museum, that contains images and details of various items of espionage equipment in use through the WW2 and Cold War years. 

New items will be added to this page on a regular basis.

The Somerton Man: The TAMAM SHUD torn piece

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This is believed to be an image of the original torn piece from 
the Rubaiyat of Omar Khayyam found in the Somerton Man's
hidden pocket.


Found tightly rolled up in a, small and difficult to find, waistband fob pocket was a torn piece of paper. It contained the words typed TAMAM SHUD which were and are to be found beneath the last verse of the Rubaiyat of Omar Khayyam. A copy of that book of poetry was found some time after the discovery of the Somerton Man and the torn piece was found to be a match.

There have been a number of theories advanced on just what this discovery meant, these are the two most popular:

  1. The words are Persian in origin and mean 'The End' or 'It Is Ended', could it be some form of suicide note?
  2. It was common practice in the world of espionage to have some form of identifying another spy of the same persuasion by bringing along something that was a fit to another piece held by the person you were meeting. For example two halves of a beer coaster or a stamp and son on. Could this torn piece have been a form of identification?

There is no secret that this blog holds the view that the Somerton Man was indeed a spy and that examples of miniature writing have been found on various items including the Code Page, Jestyn's Poem to Alf Boxall and the Dry Cleaning tag. It should therefore come as no surprise that once again miniature numbers have been found on the torn piece.

This is a close up of the torn piece and in this image and across the top of  the T in 'Tamam Shud' you can see a set of numbers being 55968 and possibly 54 to follow that 5 number set.

Other numbers and markings appear in the rest of the letters.

Of interest is the fact that the numbers are exactly the right size to fit within the outline of the 'T'.

There are other numbers in the upright section of this letter.

Here's another close up image taken at a different time and angle, the numbers are a bit harder to make out but they are there nonetheless:

The evidence for the existence of miniature writing associated with this case is considerable. There will be more images posted on this torn piece over the coming days.




There is an online petition that could do with your help, the good people of Adelaide are attempting to reach a target of 3000 signatures which they can then present to the SA State Government with the aim of getting an exhumation order and then carry out DNA testing; we support it and hope that you will to:


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